Uncharted 4: A Thief's End

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AgentSmith

Member
#2.262
#2.262
In June 2013, when The Last of Us came out, fans and critics wouldn't stop raving. It was the most successful game in Naughty Dog's history, turning Straley and Druckmann into game development rock stars and ensuring that they'd be project leads at Naughty Dog for as long as they wanted to be. During those same years, from 2011 to 2014, Amy Hennig spent her days working with a small team on Uncharted 4. They had some ideas for how to switch things up. They wanted to add vehicles, for one. Maybe a grappling hook. And, most surprisingly, they wanted to have Nathan Drake go half the game without picking up a gun.
Critics had called out previous Uncharted games for the dissonance between their stories, in which Drake is an amiable fun-loving hero, and their gameplay, in which Drake can murder thousands of enemy soldiers without missing a beat. Hennig and her team thought it might be an interesting twist for Drake to stick to melee for a while, to show that the puckish adventurer could change his ways.

Uncharted 4, as Hennig envisioned it, would introduce the world to Nathan Drake’s old partner, Sam. We hadn’t seen Sam in previous Uncharted games, because for fifteen years Nathan had thought he was dead, left behind during a Panamanian prison escape gone awry. In Hennig’s version of Uncharted 4, Sam would be one of the main villains, bitter toward Nathan for leaving him to die. Over the course of the story, as Nathan tried to pull away from his roots as a treasure hunter, the player would find out that he and Sam were actually brothers. Eventually they’d heal their relationship and unify against the game’s real antagonist, a nasty thief named Rafe (voiced by the actor Alan Tudyk) who had served time with Sam in prison.

At the beginning of 2014, as Neil Druckmann and Bruce Straley finished up work on an expansion for The Last of Us called Left Behind, the studio went into emergency mode, calling several meetings in an attempt to diagnose the problems with Uncharted 4.
There are conflicting perspective on what happened next. Some say the Uncharted 4 team didn’t get the staff and resources it needed to survive, because The Last of Us and Left Behind had vacuumed up so much of Naughty Dog’s attention. Others say that Amy Hennig had trouble making decisions and that the nascent game wasn’t shaping up very well. Some who were working on Uncharted 4 wished that there was a more cohesive direction. Others thought it was perfectly understandable, considering how small the Uncharted 4 staff was, that the game hadn’t coalesced yet.
One part of the story is indisputable, however: in March 2014, after meeting with Naughty Dog’s copresidents, Wells and Christophe Balestra, Amy Hennig exited the studio and didn’t come back. Hennig’s creative partner Justin Richmond left shortly afterward, as did a few other veterans who had worked closely with Hennig. “It’s something that happens at different levels,” said Wells. “It happened to happen at a fairly high level. But we have turnover for various reasons throughout the studio. And Amy’s a friend of mine, I really miss her and I wish her well -but things weren’t working out. So we went our separate ways, and we had to pick up the pieces. Several people who have worked for Naughty Dog say Druckmann and Straley stopped seeing eye-to-eye with Hennig, and that they had fundamental disagreements on where to take the Uncharted series. When Hennig left, she signed a nondisparagement agreement with the studio that would prevent both her and Naughty Dog from making negative public comments about what had happened, according to people familiar with the arrangement. (Hennig declined to be interviewed for this book.)

Immediately after Hennig’s departure, Evan Wells and Christophe Balestra called Neil Druckmann and Bruce Straley into a meeting to tell them that she was gone. Both Druckmann and Straley wanted to work on other games they’d been playing around with prototypes for a sequel to The Last of Us and Straley in particular was feeling burned out. But when asked to lead the development of Uncharted 4, they said they’d do it on one condition: they needed full creative control. They weren’t interested in finishing the story that Hennig had started, and while they’d try to salvage some of the characters (like Sam and Rafe) and environments (big areas in Scotland and Madagascar), they’d also have to throw out a lot of work that Uncharted 4’s team had done so far. They would need to scrap a great deal of cut scenes, voicework and animation, which the studio had spent millions of dollars developing. They wanted to recast the major roles, which would mean ditching Alan Tudyk as Rafe and Todd Stashwick as Sam, and other voice actors who had already recorded lines.
Right away, Druckmann and Straley made a decision that they thought might cause controversy: Uncharted 4 would be the last Uncharted game, or at least the last one starring Nathan Drake. The studio had been mulling this option under Hennig, but now it was official “We looked at the previous games,” said Druckmann. “We looked at the arcs, looked at where Nathan Drake was at, what kind of stories are still left to tell, and the only one that came to our mind was the final one, how do we take him out?”
During the Amy Hennig years, the team had tinkered with all sorts of gray-box prototypes for Uncharted 4. There was a slide mechanic that would allow Drake to propel forward. There were cliff walls that Drake could shoot and then scale, using the bullet holes as handholds to climb his way up. There was a scene in an Italian auction house in which the player could switch among multiple characters, hunting for clues as Drake and crew attempted to steal an artefact without drawing suspicion from the crowd. At one point, during a gala in the auction house, Drake and Elena would have to dance across a fancy ballroom, manoeuvring closer and closer to the artefact as the player pressed buttons along with the beat of the music, sort of like you would in a rhythm game.
Klicken um auszuklappen...
(aus Blood, Sweat, and Pixels: The Triumphant, Turbulent Stories Behind How Video Games Are Made

Ganz interessant, in dem Kontext auch nochmal den ersten Teaser anzuhören
[youtube]_SnJPTkrD7o[/youtube]
 
P

Pro

Guest
#2.263
#2.263
So schade um so Genies wie Straley und Druckmann @Burnout etc. Das wird auch bei denen Mal Ruhephasen geben müssen. Aber auch gut das der ganze Kram um die Story von Uncharted jetzt vorbei ist und bei TLOU II von Anfang an das gedachte Konzept umgesetzt wird.
 
.ram

.ram

Editor in Chief
Team-Mitglied
#2.264
PSN-Name: dethforce
#2.264
Neues Review: Uncharted: The Lost Legacy

Season Pass Besitzer von Uncharted 4 können sich freuen. Denn The Lost Legacy war ursprünglich ein Teil davon. Doch dann wuchs das Projekt und nun wird das Add-On als eigenständiges Spiel verkauft und was für eines! Crack-king klärt in seinem Review, in wieweit sich Uncharted: The Lost Legacy vom Hauptspiel unterscheidet, wie es sich mit dem Pacing verhält, ob neue Akzente gesetzt werden können und die die beiden weiblichen Hauptrollen miteinander harmonieren.



Review
 
hotsalsa

hotsalsa

2
#2.268
PSN-Name: hotsalsa
Spielt gerade: Switch, Warzone
#2.268
Also Leute, ich bin jetzt 2 1/2 Stunden im Spiel und spielerisch und grafisch ist es halt Uncharted4 und wirklich super. Aber kann mir mal jemand erklären, worum es in dem Spiel geht???! :ugly:

Das fängt einfach direkt mitten in der Schatzsuche an. Ja, man sucht wohl ein Artefakt aber wieso??

Nur der Anfang:
Man beginnt in einer Stadt. Dann klaut man irgend ein Medaillon und sieht auf einer Karte beim Bösewicht "irgendwas" Zack ist man auf einem Boot unterwegs und entdeckt, dass dieses Medaillon ein Schlüssel ist. Und zack geht es vom Boot auf ein Jeep (WTF?) und sucht irgendwelche "Symbole" die man vorher irgendwo gesehen hat ballert sich durch die Gegner, die natürlich auch schon da sind... Die Dialoge check ich null... Drei Symbole? Wo waren die? Was für eine versunkene Stadt sucht man da?? Wie kommt man darauf? Ganesha´s Stoßzahn?! Wer hat den?

Ich komme da irgendwie überhaupt nicht mit und ich weiß auch überhaupt nicht, was ich da mache... Das hat U4 definitiv besser gemacht. Aber vielleicht gibt es ja noch Rückblenden die das alles besser erklären... oder ich bin zu blöd...
 
spy

spy

くぽ
#2.273
#2.273
Bei Otto für 15€ Lost Legacy geholt und ich bin jetzt wieder im Uncharted Gefühl drin.

Optisch der Hammer, auch auf der Standard PS4 in non-HDR. Was mir auffällt ist, dass das Sound Design noch etwas mehr zulegen könnte. Die Umgebungsgeräusche halten sich sehr in Grenzen.
 
crysmopompas

crysmopompas

I am a bot ¯\_(ツ)_/¯
#2.274
systems, systems, systems, systems, systems, systems, systems, systems, systems, systems, systems
Spielt gerade: GT7 | 60fps FTW
#2.274
Wie viel Platz belegt LL? Ich fürchte da wird es eng bei mir.

---------- Beitrag um 18:45 Uhr hinzugefügt ---------- Vorheriger Beitrag um 18:43 Uhr ----------

Aber ich könnte UC4 löschen? MP ist bei LL komplett dabei, oder?
 
Revolver Ocelot

Revolver Ocelot

Well-known member
#2.276
systems, systems, systems, systems, systems, systems, systems, systems, systems, systems, systems
PSN-Name: wesker85
Spielt gerade: The Last of Us
#2.276
Legend sagte:
@Thor: Hab Uncharted nie auf Deutsch gespielt und wird auch so bleiben :D
Klicken um auszuklappen...

Kenne zwar die deutsche Synchro von Uncharted Lost Legacy noch nicht, da das erst spielen möchte, wenn ich den normalen 4 Teil nachgeholt habe. Was ich bald tun werde. Dann kaufe ich mir Uncharted 4 un Lost Legacy zusammen.

Im Großen und Ganzen jedenfalls finde ich die Deutsche Sychro durchaus solide. Würde die Uncharted Reihe zu den besseren deutschen Spielen zählen.

Aber auf Englisch kommt Uncharted zugebenermaßen auch sehr cool rüber. Kenne die englische Synchro ja von den Trailern und die ist wirklich auch sehr cool.
 
Exodus

Exodus

2
#2.278
PSN-Name: Yorozuya_Guy
Spielt gerade: Nioh, Persona 5, Diablo III: Reaper of Souls
#2.278
Hab' Uncharted: Lost Legacy letztens auch durchgezockt. Echt nice und kaum schlechter als der geniale 4. Teil. Besonders das Stealth-System war noch einen kleinen Tick besser als bei Thief's End und auch die Idee mit der Karte hat mir gut gefallen als weitergedachte Version vom Madagascar-Level.

Mir is' nur aufgefallen, dass
das Finale auf dem fahrenden Zug auf der Standard-PS4 (also was ich hab') framerate-mäßig immer wieder übelst einbricht solange man zum vordersten Waggon unterwegs ist
Das hat echt gestört, hat da zufällig jemand mit seiner Konsole dieselbe Erfahrung gemacht?
 
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